Julián Barragán ➤ former footballer from Colombia ➤ Centre-Back ➤ last club: Date of birth/Age: Feb 20, (42). Place of birth: Colombia Cali. Citizenship: Colombia Deportivo Pasto Jan 1, ? 05/06 · Blooming Santa Cruz Bolivia.
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Colombia Holidays and Festivals
Mountains, rivers, lagoons, rocks, coral reefs, deserts, rainforests, unlimited flora and fauna Opening our eyes to the Colombian landscapes turns us into witnesses of surprising contrasts and active participants who interact with a generous nature that unfolds in all directions and goes beyond our borders. The Ancestral Secret of the Tepuis Since she was a child, the author heard her father talk about a majestic territory, where nature was as extraordinary as archeological wealth.
Years later, she traveled to the heart of the Colombian Amazon to discover Chiribiquete with her own eyes. The lost world of the Chiribiquete mountain range was my favorite imaginary place as a child. I was fascinated by his stories of that secret place nobody knew about. Chiribiquete is a unique place on the planet. Crossed by the Equator, the park is located between the departments of Caqueta and Guaviare.
It is one of the best preserved places on Earth. The herbaceous savannas and the Amazon plain are home to animals and species scientists dream of studying. For the indigenous cultures, it was the center of the world. The house of the Jaguar, which is the son of the Sun and the Moon: lunar white on the chest, solar yellow on the back.
This feline and the Jaguarmen are the protagonists of more than 75, paintings found by my father on the rocks of Chiribiquete. What is most surprising is that some of them date back over 20 thousand years, which would be evidence of the oldest human habitation in Latin America, according to Gonzalo Andrade, from the National Institute of Sciences of the National University. More than thirty years ago, when my father was the director of National Natural Parks of Colombia, this extraordinary place was was found by accident.
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In , he saw the monumental rocks of Chiribiquete from a small plane, after they had to divert their course to Leticia, capital of the department of the Amazon, because of a tropical storm. None of their navigation maps showed those plateaus, which are three times the size of the Eiffel Tower and which emerged in the middle of a virgin jungle.
That first time, they just flew over and wrote down the coordinates of that place to which he would return so many times and on which he would work for the rest of his life, searching for a perfect formula to preserve and protect it. However, he is proud that the real discovery was to come across rock paintings on his first expedition there in After climbing one of the rocks, he found himself in front of an enormous rock shelter with two huge and imposing jaguars. He has been in more than a dozen expeditions, accompanied by the most renowned scientists who have been studying the flora and fauna.
He has fully devoted himself to archeology and the study of the cave paintings of this. The pictograms found in Chiribiquete are findings that provide us new ways of interpreting our history: they connect our ancestors to diverse aboriginal cultures throughout Latin America and the Caribbean from what is now Mexico to Brazil.
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The same paintings appear in remote parts of the continent, showing evidence of a culture that unites us. It is believed that the shamans who painted on the rocks were nomads who came from numerous pilgrimage routes. Since it is a sacred temple, no one can live there, just visit. A Family Reunion with the Tepuis As a family joke, we keep saying that, in addition to his four children, my father has a fifth favorite child called Chiribiquete. I grew up listening to the stories about that enigmatic fifth brother, a mix between living nature, majestic stone plateaus, rich, remote cultures and thousands of paintings preserving their own living past.
Although I had heard my father talk about Chiribiquete since I was a child, many years passed without a word about it. It was five years ago when he brought up the subject again, now with great discretion and concern. I learned of his sleepless nights after the Park went public with several articles published in national media and a documentary about Colombian. Curiosity about the area grew and the way in which tourist dynamics began to develop had to overcome the informality and the very complex conditions of access to this Amazon territory. That touching and unlikely landscape is both seductive and elusive, and its greatness also lies in that very same inaccessibility.
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In , I had the opportunity to join an effort to consolidate that preservation work. We left on an hour-long flight from Bogota to San Jose del Guaviare and then we took off on a plane, authorized by National Parks, to fly over Chiribiquete. Since an essential part of the preservation of this territory depends on keeping it intact, visitors can only fly over the area by plane to appreciate the majesty of the jungle from above. During the first minutes of that flight, I saw patches of deforestation alternating with the jungle, but my hope returned as soon as I saw a compact and lush green extending to the horizon.
From those 8, feet, I remember seeing for the first time the gigantic tepuis my father used to tell me about when I was a child: they emerged in the middle of the vegetation as monuments of nature dedicated to the gods. The feeling of respect for the tepuis is overwhelming: they are as tall as the skyscrapers in Manhattan, but rising in the middle of a dense and lush jungle, inhabited by rich fauna and flora, besides being home to intact indigenous cultures.
You must see it from the sky, but even from high above, Chiribiquete seems to caress the clouds. It is an exceptional case, similar to that of Machu Picchu, in Peru. This achievement synthesized, in part, the long work and struggles carried out by my father for over thirty years. Those were years of patience and understanding my father for his exaggerated dedication to his projects with the Fundacion Herencia Ambiental, which he leads with his wife Cristal, socio-environmental projects with communities and indigenous people in the Colombian Caribbean, and the joint work with Natural National Parks, led by his successor, director Julia Miranda, who has been his ally and key figure to ensure continuity and to strengthen the special care.
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The rock paintings in this area date back nearly 20 thousand years. The jaguar is the protagonist, along with other powerful animal species. Besides having worked to achieve the declaration by UNESCO, this careful work has helped quadruple the size of the protected area. My father has been very committed, almost radical, in the preservation of that cultural richness, which has survived mostly because of the difficulty of reaching and entering the area.
I was confronted by his position, because even though I admired his sacrifice for the Park and his ability to keep quiet about everything they found in these expeditions, I was convinced that Colombian people had the right to know about it. Therefore, I began to brainwash him, and also to change his ideas. Many had already tried: television channels, Colombian media and writers. It took me all the experience I got in a strategic communication firm in order to achieve it. I had lots of arguments.
But the most important one was that no one would take care of Chiribiquete if they did not understand how important it was. Today you can see Chiribiquete only from the air, with permission to fly over from the Air Force and National Parks. Those who want to see the paintings can see them outside the Park, in Cerro Azul, a site adjacent to San Jose del Guaviare with.
It is not allowed to enter to avoid endangering the pristine state of its paintings and the indigenous communities. But today, like the shamans, Colombian people have their book and images to travel there from their thought, and arguments to demand their protection and care from the government. When I met my older Amazonian brother, Chiribiquete, I felt that my family was finally complete.
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When I saw it from above, all the images and videos faded as I watched the most shocking thing I had ever seen. When I got to see its cave paintings, thanks to the exceptional opportunity to be part of a scientific expedition, I felt that an entire indigenous people had embraced me from 20 thousand years away. One November morning, in the heart of Bogota, an experienced reporter and a talented illustrator went out together to see the endemic birds of the capital and discovered unexpected stories from around the country.
Text: Julian Isaza. They are shaped like a boomerang. They pass by quickly. They make elliptical movements in the sky. They chase each other and their fast silhouettes, with their wings held back, resembling two MiG planes in combat. A weak blue light creeps across the sky, barely enough to distinguish the shapes of the birds, the mountains or the glen.
Just a few minutes ago we were traveling along a winding dirt route, where the mist offered a milky panorama and the lights of the truck barely allowed us to see a couple of meters ahead. It was the last stretch to the buffer zone of Chingaza Park, the area adjacent to the natural reserve. It was the final destination of a tour that started an hour and forty minutes earlier, in the city of Bogota. Alejandro takes his equipment out of the truck: a telescope, binoculars, a laser pointer and a huge ornithology book. The water coming down the gorge sounds like loud static, while above, the swifts whistle intermittently and sharply.
Alejandro watches them. The flight between of the two birds is agile; they make tight turns, get lost in the vegetation and come out again. The biologist says their name in Latin: Streptoprocne rutila.